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Aperture's new edition of Koudelka: Gypsies rekindles the energy and astonishment of this foundational body of work by master photographer Josef Koudelka. Lavishly printed in a unique quadratone mix by artisanal printer Gerhard Steidl, it offers an expanded look at "Cik�ni" (Czech for "gypsies" )—109 photographs of Roma society taken between 1962 and 1971 in then–Czechoslovakia (Bohemia, Moravia and Slovakia), Romania, Hungary, France and Spain. The design and edit for this volume revisits the artist's original intention for the work, and is based on a maquette originally prepared in 1968 by Koudelka and graphic designer Milan Kopriva. Koudelka intended to publish the work in Prague, but was forced to flee Czechoslovakia, landing eventually in Paris. In 1975, Robert Delpire, Aperture and Koudelka collaborated to publish Gitans, la fin du voyage (Gypsies, in the English-language edition), a selection of 60 photographs taken in various Roma settlements around East Slovakia. Gypsies includes more than 30 never-before-published images.
- Sales Rank: #751895 in Books
- Published on: 2011-09-30
- Original language: English
- Number of items: 1
- Dimensions: 12.70" h x 1.00" w x 9.70" l, 3.42 pounds
- Binding: Hardcover
- 109 pages
Review
Rarely has a body of work been so deserving of two completely different editions. –Time
Mr. Koudelka's stark images depict the poverty and clannishness of Gypsy life, but unlike many documentary photographers, he does not present their situation as a social problem that can somehow be fixed. Instead, he shows the Gypsies as perpetual outsiders, and their life as a primal mix of glee and wonder, sorrow and mystery. –The New York Times
Gives a palpable sense of a people apart, unto themselves, dislocated from contemporary society and even time. –Huffington Post
Koudelka brings to life the even older world of the Roma gypsies that he encountered in his travels in the late 1960s and early 1970s in images that resonate with mystery and ritual, romance and hardship. –The Guardian
From the Inside Flap
This book is a revised and enlarged version of the original maquette for Josef Koudelka’s Cik�ni (Czech for Gypsies) prepared by Koudelka and graphic designer Milan Kopřiva in 1968, and intended for publication in Prague in 1970. Koudelka left Czechoslovakia in 1970 after extensively documenting the Russian invasion of Prague in August 1968. The book was never published in that original form.
This extended version consists of 109 photographs taken between 1962 and 1971 in what was, at the time, Czechoslovakia (Bohemia, Moravia, and Slovakia), Romania, Hungary, France, and Spain. The word Gypsies (the common name for this group when the photographs were taken between 1962 and 1971, before the current term Roma was established) is used as the book title.
Sociologist Will Guy, author of the text that accompanied the first publication of Gypsies, has contributed an updated essay, tracing the migration of the Roma from their original homeland in northern India, to their current status—one that continues to be contested internationally.
About the Author
In 1968, Josef Koudelka photographed the Soviet-led invasion of Czechoslovakia, publishing these images under the initials P. P. (Prague Photographer). Koudelka left Czechoslovakia in 1970, became stateless, was then granted political asylum in England, and shortly thereafter joined Magnum Photos. Koudelka has published eleven books of photographs focusing on the relationship between contemporary man and the landscape, including Gypsies (1975), Exiles (1988), Black Triangle (1994), Invasion 68: Prague (2008), and Wall (2013). Significant exhibitions of his work have been held at the Museum of Modern Art and the International Center of Photography, New York; Hayward Gallery, London; and Palais de Tokyo, Paris. Koudelka is the recipient of the Medal of Merit awarded by the Czech Republic (2002) and numerous other awards. In 2012, he was named Commandeur de l’Ordre des Arts et des Lettres by the French Ministry of Culture. He is based in Paris and Prague.
Will Guy is a research fellow in sociology at the University of Bristol, UK. He contributed the text for the original edition of Gypsies in 1975, while completing his PhD on Czechoslovak Communist policy on Roma. His recent academic research, undertaken on behalf of the European Commission and international NGOs, focuses on the evaluation of initiatives promoting Roma social inclusion. He has published widely on this topic and is editor of two books, Between Past and Future: The Roma of Central and Eastern Europe (2001) and Roma Migration in Europe: Case Studies (2004).
Most helpful customer reviews
32 of 33 people found the following review helpful.
Koudelka's Wonderful Book
By T. J. Mickleburgh
Josef Koudelka's "Gypsies", first published in the United States by Aperture in 1975, has long been a scarce and desirable example of this artist's work. The new edition, published by Aperture and printed by Gerhard Steidl, demonstrates just how far the craft of making books has advanced in the past 35 years.
The book differs in several ways from its predecessor, though it represents the same body of work. First, it utilizes a vertical rather than a horizontal format. Horizontally formatted images are presented as two-page spreads almost 20 inches wide, meaning that Koudelka's marvelous use of wide-angle lenses can be viewed in the correct perspective. Two-page spreads usually fail because of the space lost to the gutter, but the new "Gypsies" is beautifully bound and opens almost flat.
There are also no distracting reflections, because the book is printed on matte stock. It is tempting to describe Steidl's quadratone printing as "sumptuous", which it certainly is, but more to the point, the printing serves the photographs: Steidl's craft, in that sense, is totally transparent. The images have a vitality that suggests that they were made in the darkroom, somehow using ink instead of silver.
The work itself remains timeless. It is based on Koudelka's original maquette, adding more than 30 photographs that were not in the 1975 edition, and every one of them is worthy of its place in the new book. If you have never seen Josef Koudelka's work before, there is no better pace to start than with "Gypsies". If you are familiar with the 1975 edition, this one will amaze you. Rarely has an artist been so well-served by his printer and publisher.
4 of 4 people found the following review helpful.
Gypsies is a photographic book like no other.
By Bruce Hart
Josef Koudelka's 'Gypsies is a masterpiece. The revised edition which has just been released is well worth the price. There is no other photographic book like it and I do not believe there will ever be one. Its raw approach with its grainy effects is unique and it has a bite to it that no other photographic book has. This was Josef's first book and he went on to produce many other books after this one. His committment to his subjects and the trust that they gave him is apparent in many of the intimate rectangles of stillness in this revised edition. And it is a sad history of a past era which has not changed to this day.
Highly recommended.
8 of 9 people found the following review helpful.
An utter triumph in the art of photobook publishing
By Susan Lockrey
Couldn't agree more with Mr.Mickleburgh's delightful review. Koudelka's original release of his 'Gypsies' book has long been one of my favourites from my photobook collection. This second edition is even better. An utter triumph in the combined arts of photography and printing. The use of matte paper, especially, was a great decision. Aperture are, deservedly, one of the world's great publishing companies. And Herr Steidl. Wow, what a brilliant man. Now ... if only they'd all get together and give us a second edition of 'Exiles'!
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